Digital Experiment Two

After showing my first digital experiment to my peers, I went back onto Adobe Premier Pro and altered my digital narrative piece.
As you can see, I changed the beginning and got rid of my name, and I made the text appear longer on the screen too.

Looking back at the small alterations I made, I felt that this video didn’t quite tell the narrative I wanted it to portray. I got the basics of what school I was at at what age and the thing I remembered when I was so young. This narrative is very straight forward and very informative and I wanted it to be personal and slightly more interesting.
I went back to the drawing board and after discussion with my tutors, I decided the next best move was to scrap the text/captions and change everything to audio – in particular a recording of me explaining everything in detail.
By doing this, I feel that my video will be more personal and when my audience will listen to my video, they will hopefully have discovered some sort of connection with my school years to how they was at school – even if it sparks a memory or from personal adventures.


Digital Experiment One.

After drawing my storyboard, I then set myself a task on creating my short video using Adobe Premier Pro.
This software was completely alien  to me – as a photographer I don’t really use film or video software that much (but it has been good to experiment with for this project and I’ve learnt something new!).
Inputting the photographs into this software was really quick and easy to do. To help my narrative run smoothly I decided text would be a good option to use to help my viewers understand my story. Sticking with the “school theme” – I decided to place the pictures and text against a black background – I can remember at school my teachers used the traditional chalk board when I was young, and luckily there was a font in A.P.Pro that mimicked chalk-board writing!

I showed this video to my peers in a summative review session – bearing in mind this was my first draft of a video and my first time making a short film I knew I had a lot to improve on, but here is some of the comments that were made:
The text ties the body of work together. It’s maybe a bit open ended, something in the end of that could create an end to the slideshow. Maybe the typeface could be changed for things like the school name, and your voice can stay as a chalkboard… Consider how you want the image & text to be looked at, structure of being next to, in front of image example. The type could be a bit smaller.
When showing this video to my peers, I also noticed that I did not give enough time for my audience to read the text being displayed, and throughout my 10 minute slot I had to pause the video to give them a chance to read everything.
For my next video, I must improve my timings and get a “fresh pair of eyes” to look at my video and make sure it is suitable for all people. Also, I feel that the “Lucy Yates” at the beginning of the film is unnecessary – the title of the piece is the only thing that needs to be seen here and my audience will understand that it is to do with me because of the nature of the project.
However, I quite like the font used already and I would like to stick to the same format I have used for this.

StoryBoard for Digital Narrative.

After completing the Powerpoint Presentation, I decided that my digital narrative could be made in a more creative way.
A few weeks ago, the second year photographers had a workshop on how to use software such as Lightroom and Adobe Premier Pro to help us to make a high quality video.

Before creating my short video based on my school years, I decided it would be best for my to create a story board of what I want and how to achieve my short film.


This is my story-board I created. I divided an A3 sheet of paper into grids and placed images and text with what I want my slides to say throughout the video. I also added where I want my text to fade in and out, where I wanted music and notes at the bottom of each grid.

Creating this story board has given me an advantage to this project – it allows me to experiment with change in my story line  to improve my creation. This acts as a visual process for my vital thinking and planning thus allowing me to brainstorm and place ideas onto a story board which helps me to create and place more ideas.

Basic Powerpoint Experiment.

Using my brother’s PowerPoint presentation he did for my 21st birthday as a starting point, I decided to create my own to get the ball rolling with creating a slideshow.
Using P.Point as a toll to create my slideshow was very easy – I’ve used this software so many times before I could work it with my eyes closed! Creating this slideshow was incredibly easy and not really much of a challenge to make. This slideshow is very basic and in all honesty I feel it’s very boring and not something I want to show to an audience.
I feel that the slideshow could have more interaction with it – fades in and outs, text is pretty simple and could be changed to make it appear more interesting for my audience to look at too.

Tutorial with Ellen. 7th February

Ellen and I discussed about what photographs I should use for my digital narrative. I showed her the selection of found images I had gathered and we discussed options.
What was said that using my school portraits would be the best option as they all have been taken in the same format and it clearly shows the change I went through when growing up.
Here are the images:
Toddler Pic - 19971-Edit Toddler Pic - 19981









Scan 10-Edit.1

Toddler Pic - September 20001










Toddler Pic - 2001-20021

Toddler Pic - October 200212








Things to consider when creating my slideshow:  Experiment with both Text and Voice recordings. What type of structure is this going to be? Linear? Memory? Flashback? Consider transitions between images.

Analysis of Two Photographs

After flicking through Bill Owens’ book Suburbia  I came across a photograph that jogged my memory. On the left, you will see a photograph from a collection of images my mother took as a child playing with close family friends (unfortunately we lost contact over the years) and underneath, you will see Bill Owens’ image.

Despite the fact that the two are different in terms of how the photographs are shot, they do have their similarities.

When I first viewed Bill Owens’ image, it jogged my memory of a photograph I believe my mother had taken of me whilst I was playing in my room. I managed to find the photograph in my mother’s personal archive of photographs.
Placing the images side by side, you can see the differences and similarities. Firstly Owens’ picture is monochrome and mine is in colour. Both photographs has a bed featured in the pictures, however the bed in my found image has been cropped out slightly unlike Owens’. My found image also features two young girls (one of them being me) where as Owens’ image only has one girl, but you can see the toys/mess in her bedroom more clearly than my image.
Just by viewing the images side by side, you can see what style of photography has been used to capture these two very different moments. Owens has taken more of a Documental approach to his image. His image shows the entire room, the girl sitting on the bed and the mess all over the floor. By taking this image he wanted to show the viewer the whole scenario as well as documenting the life of this young girl in this situation, where as my found photograph has been taken in more of a snapshot style. My photograph focuses more on myself and my play mate and the toys I have been playing with.  The angle of my found image is pretty much in line with my eyes  and the format of who my room has been portrayed may suggest that a “point and shoot” camera has been used, whereas in Bill Owens’ picture the whole room is displayed suggesting that a wide angle lens has been used.

Myself aged 5.

Myself aged 5.

Bill Owens Image.

Secondary Research: Bill Owens

Bill Owens Suburbia
Owens creates this narrative structure through photographing a suburban community in America, and then using the subjects quotes as a caption that is on the same page as the image. Each piece of text adds an amount of information to each portrait.Although, having this narrative form, the book focuses on the migration of the city folk moving to the suburbs.

“The migration was all around him – it was as if he was being swallowed up in it. Everywhere he turned, houses were springing up, row upon row; what had been farmland one day was a city the next… And there, around him every day, was this new, stunning social phenomenon. And so he began photographing it – understanding that he was witnessing something special, that these people were in the best American way buying not just houses, but dreams of a better life.” – Owens, S (1999). Suburbia. New York: Fotofolio. 5.

When flicking through this book I discovered that Owens has a very documental approach to photographing people of the suburbs and their surroundings.
When looking at the images throughout the book, all the captions that accompany the pictures are created by the people featured in the photograph. This gives the images a more personal response for the viewers to read – it tells us THEIR and makes the pictures look less documental.
One picture in particular grabbed my attention in particular – it is I wanted Christina to learn some responsibility for cleaning her room, but it didn’t work. In this image, there is a young girl sitting on a bed in a room full of toys that looks messy. Looking at this image jogged my memory of a photograph that my mother took of me at a similar age, and in a similar situation (I thought it would be good to display all my toys from my chest all over the floor in my bedroom). I really liked how this image managed to jog my memory and allowed me to have a little bit of a laugh at the image due to the humorous caption. Having this effect on his is something I would love to be able to encorporate with my images in my publication.

Having captions to go with the images is something I would like to consider as one of my outcomes for my publication for this project. Having short, simple captions will help to give my audience an insight into my personal life – making it personal both to me and my viewers.

I wanted Christina to learn some responsibility for cleaning her room, but it didn’t work.









We enjoy having these things.











Sunday afternoon we get it together. I cook the steak and my wife makes the salad.




Secondary Research – Sophie Calle.

Victoria Abril- Prenez soin de vous
Sophie La Clown
Take Care of Yourself – Sophie Calle.

Sophie Calle is a French writer, photographer and installation artist.
In her project Take Care of Yourself, Calle creates a collection of interpretations of women’s responses to a break up letter she received via email from her lover. Take Care of Yourself uses the narrative of a jilted lovers letter and she creates her installation by using video recordings, photographic portraiture and textual analysis. She also frames part of the text to go along side with the portraits in her work.
By creating this, she examines the conditions and possibilities of human emotions and opens up the idea of love and heartache, gender and identity and intimacy.


What I really like about Sophie Calle’s work is that she doesn’t purely stick to one particular media to be able to carry out her project, she uses mixed media and I find that’s what makes Take Care of Yourself really interesting. The use of video really helps to capture the individual’s interpretations of how it feels to receive a break up letter – everybody deals with the situation differently and being able to use different types of media to help recording that moment in time possibly relates to the emotions of the individual.
The pictures themselves use soft and subtle lighting which helps set the emotion in the photograph – having soft lighting makes the individual appear to be gentle and fragile to the situation Sophie Calle is putting them in. The use of framing is quite important, even though it is part of a collection, it also remains as an individual artifact. The framing secludes everything inside of itself – what is inside the frame is the story and the story is told as a tableaux as well a series.
The use of narrative is really unusual for this art project. It all has the same storyline, but because the 107 different woman used to create this installation everybody reflects on the letter differently. Memory is one key thing, everybody has been in a similar situation of going through a breakup and reading something can bring up the memory of that time.
How will Sophie Calle help me with my work?
Calle uses both photography and video recording to help create Take Care of Yourself. For my project, I will be using both mediums (if not something similar) to create my final outcomes for my final pieces. Take Care of Yourself is rather personal just like what my project will be, however I do not plan on gathering 107 women and a parrot  to create my pieces. Even though Calle has used other women to portray the emotion of reading a break up letter, she somehow manages to reflect herself through these women – everybody had a different emotion and she probably went through them all at different stages of when she read / re-read the letter. My project will reflect on my memories as well as my mothers, but using only both myself and my mother. I feel it would be inappropriate to use strangers to reflect on something that is really personal to me.

Secondary Research – Yaron Lapid: “The New Zero”

The New Zero is an ongoing project which plays on the nature of photography and it’s ability to assemble and disassemble layers of history.

yaron lapid.4In 1999, Yaron Lapid found several envelopes on the floor or a recently demolished area in Jerusalem. Inside the envelopes contained hundreds of black and white photographs and negatives which were assumed to be “leftovers” of a former photographic studio.
Lapin has repossessed the found material to create a non-typical family album that consists of moving portraits that fluidly fade to black before revealing their main features. The video is consisting this moving image focuses on the detail of how the portraits were taken, for example, body posture, clothes and accessories which suggests the time these pictures were taken in and the habits and clothing of Jerusalem.
The video is played on a loop, and this reinforces the sense of a stratified past that cannot be pictured at once. However, it has slowly informed the layers of a multi-faceted society – a society where formal differences are marked as cultural oppositions.
These photographs have frozen a particular moment of an individuals history, turning it into a yaron lapid.3visual archive that allows the viewer to use their imagination to fill in the missing gaps.

I decided to look at Yaron Lapid’s work via youtube (See video link above) and his website because he managed to construct a project based around found imagery, which is something that I strongly relating my work into for this unit.
All the images are constructed using a similar fashion – the head, torso and shoulders fin into the compositional frame and in the same manner (as if there was a set rule to apply to taking these portraits). What I find intriguing about Yaron Lapid’s video work is that all the images are cropped at the same position – above the nose, below the eyes, as if Lapid was trying to conceal the identity of the sitter in the portrait.
Is he trying to hide their identity?
Why is he trying to conceal their identity?
Despite the working creating these questions about hiding their identity, it also allows the audience to have some fun with their imagination of how the sitters would look like (trying to yaron lapid.2guess their facial characteristics) and guess what type of background they come from by only having the visuals of what clothes they are wearing and the accessories too (EG: Glasses).
All the pictures are monochrome, and to me this suggests that LApid has taken a scientific approach to creating his work. Having all the colours removed from the images gives everybody a sense that they are uniformed – being a member of a group and that they should be looked at as equals no matter the gender or clothing they wear. Having this approach can link directly to the fact that these images have actually been archived digitally and that they should be be viewed as a collection or together.
Personally, I feel that the cropping of the sitter’s faces is too extreme for me – I want to be able to use portraits in my digital screening and for me to do so,  the audience needs to know who the identity of the person is to be able to engage a personal response to my collection of work.

Project Proposal.

BA (Hons) Photography

Project Proposal

1. AIMS: SUBJECT, TREATMENT A brief description of the project you are carrying out, including the subject matter, narrative strategy and /or structure used for each narrative and intended outcome. Name a few key references (artists and/or theory) relevant to your approach or theme.

(Be brief and concise, use key words and specialist terminology whenever possible)

I aim to create a presentation that is video based on myself growing up and the changes I faced throughout the period of time. For my presentation video, I aim to use Flashback/Memory narrative structures as I feel I can personally relate to the images and will be able to give the audience a brief understanding of my life, by either adding text or experimenting with voice recordings.


For my publication, I will try to create a photo-album (or something in the scrap-book style) using found imagery of myself from an early age to present day. For this publication I aim to make it in a Linear narrative structure as well as focusing on Memory too, but maybe incorporating a family member’s input with captioning my photographs (as if seen through somebody else’s eyes).


RESEARCH: Roland Barthes, David Campany, Linear/Flashback/Memory Narrative, Victor Burgin, Araki Nobuyoshi, Nicholas Nixon – Brown Sisters.

2. SKILLS AND RESOURCES REQUIREMENTSIdentify the skills you think you will need to develop and the resources you envisage being required

  • Looking into the family archive albums
  • Familiarize myself with Adobe Lightroom and Adobe Premiere Pro
  • Scanning images to the highest  quality – recapping.
  • Get to terms with Indesign – recapping on it to help me create my publication
  • Book Binding – look into how books/photograph albums are made? Maybe look into scrap-book style
  • Blogging – familiarize myself with WordPress
  • Restoring the quality of images to place into the album – or doing the reverse and making them look older? Experiment.
4. OBJECTIVES AND OUTCOMESWith reference to Assessment Requirements and Learning Outcomes for this project, specify what you intend to achieve by the end of the unit and what you hope to have learned.

1)  To have researched and analyzed in depth all research (primary and secondary)to show an understanding of my journey into creating my digital presentation and publication.

2)  To gain a better knowledge as to how to use video-editing software to create a presentation other than using Microsoft PowerPoint.

3)  Archiving images of myself/organize them in a time-line order to show progression of me growing up and changing over the years.
Using found images for this project, to clearly demonstrate how I went about this and using industry-standard equipment to create my presentation and publication.

4)  Creatively make a presentation that explores the use of text or audio.
To creatively make a photo album/scrap book that an audience can interact with.



When planning and writing your Project Proposal, keep in mind the Aims of the Narrative unit:


A1         Research and critically analyse various narrative strategies

A2         Develop an understanding of how the presentation and editing of the same images and/or text may be employed to construct alternate narratives

A3         Experiment with techniques and modes of production and presentation relevant to narrative

A4         Apply narrative as a strategy to represent a given theme